论文部分内容阅读
在越来越多的紫砂理论论述中,对紫砂壶艺的历史文化、创作内涵、艺术外延等论述得极尽完善,对于紫砂文化艺术的传承与发展形成了百家争鸣的文化艺术讨论氛围,推动了紫砂艺术理论的进一步拓展,也为更多的紫砂从业者奠定了丰富的文化艺术理论基础和创作实践经验积累。本文从个人的壶艺创作中谈自我的创作感想,论述自我内心的“天龙顶珠壶”(如图1)的创作思想。1传统龙图腾的继承“天龙顶珠”紫砂壶创作取材于千百年来作为龙的传人、
In more and more purple sand theory, the history and culture of purple sand pot art, creative connotation, artistic extension and other expositions are perfect, for the purple culture and the arts heritage and development of the formation of a hundred schools of thought contend cultural and artistic atmosphere to promote Zisha art theory to further expand, but also for more Zisha practitioners laid a rich theoretical foundation of culture and the arts and creation of practical experience. This article talks about the creation of my self from the personal creation of pot art, and expounds the creative thinking of self-centered “Tian Long Ding Zhu Hu pot” (Figure 1). The inheritance of a traditional dragon totem “Dragon Top Pearl ” teapot creation based on thousands of years as a successor to the dragon,