论文部分内容阅读
佛教输入中国后,便开始了中国风格的民族化和世俗化演进历程。其中民族化从魏晋开始至唐代达400余年,而世俗化的演变则历经魏晋隋唐、宋元明清,前后大约1700年的历史。1在这漫长的发展阶段中,西夏民族由于自身的历史习俗及审美取向,其对佛教的崇信及在佛教美术方面的参与,使得西夏晚期安西榆林窟、东千佛洞壁画以及黑水城出土卷轴画中,出现了众多佛教汉藏显密内容风格杂糅的作品,与此同时西夏绘画世俗化倾向也日趋明显,展现出西夏在传承发展中原艺术的进程中,鲜明的民族信仰方式、文化审美取向和大胆创新的精神。
After Buddhism entered China, it began the process of nationalization and secularization of Chinese style. Among them, the nationalization started from the Wei and Jin dynasties to the Tang Dynasty for more than 400 years, while the evolution of secularization went through about 1700 years of history around the Sui and Tang Dynasties, the Song, Yuan, Ming and Qing Dynasties. 1 During this long period of development, Xixia people, due to their own historical practices and aesthetic orientation, their worship of Buddhism and their participation in Buddhist art, made the Anxi Yulin Cave in the late Xixia period, the murals of the East Thousand-Buddha Cave, and the Heishui City unearthed In the scrolls, many works of mixed style of the Han and Tibetan Buddhism have appeared. At the same time, the tendency of the secularization of the painting of Xixia has also become increasingly apparent. In the process of the inheritance and development of the Central Plains art, Xixia shows the distinctive ways of ethnic belief, cultural aesthetics Orientation and bold innovation.