论文部分内容阅读
从去年春天的大跃进,到今年的国庆节前夕,这一年多的时间里,在话剧创作上可以说是一个大丰收的年景。话剧的舞台上出现了《红色风暴》《烈火红心》《关汉卿》《蔡文姬》《槐树庄》《东进序曲》《南海战歌》《八一风暴》《革命的一家》《共产主义凯歌》《枯木逢春》《比翼齐飞》《青春之歌》《全家福》《降龙伏虎》《敢想敢做的人》《红旗谱》等等无论在思想性和艺术性上都称得起是优秀的作品。在全国各地,具有一定水平的可以上演的新创作更不计其数。这一年多话剧创作的数量和优秀作品的数量,都大大地超过了过去几年的总和。前不久还有人在说,“剧本少,好剧本更少。”现在的事实有力地反驳了这种右倾的言論。为什么在这样短短的时间里就能够取得这样巨大的成绩呢?显然,这正是大跃进的功绩,是在戏剧创
From the Great Leap Forward in the spring last year to the eve of National Day this year, in this year and more of the year, drama can be said to be a bumper harvest year. There are “Red Storm” “Red Fire” “Guan Hanqing” “Cai Wenji” “Huai Shu Zhuang” “East Prologue” “Battle of the South China Sea” “August Storm” “a revolution” “communist triumph” Deadwood “,” Qi Fei Fei “,” Song of Youth “,” Family Portrait “,” Dragon and Tiger “,” Dare to Dare to Be “,” Red Flag “and so on both in terms of both ideological and artistic reputation is excellent work. In all parts of the country, there are even more new creations that can be staged at a certain level. The number of dramatic productions and the number of outstanding works this year have greatly exceeded the sum of the past few years. Not long ago, people were saying, ”There are fewer scripts and fewer scripts," and the fact now strongly counters this right-leaning remarks. Why in such a short period of time can achieve such a huge result? Clearly, this is the merit of the Great Leap Forward in the drama created