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《孟蜀宫伎图(轴)》,为明朝画家唐寅所作。唐寅(1470年—1523年),是“吴门才子”之一,字伯虎,一字子畏,号六如居士,苏州人。他初拜周臣为师,取法南宋李唐、刘松年、马远、夏圭,后又拜沈周为师。汲取了元四家的水墨画法,博采众长,兼融了“院体”的工细与“文人画”的笔墨而自成风格。此画藏于故宫博物院,为绢本设色,尺寸为纵124.7厘米,横63.7厘米,是唐寅早期的作品。该画描绘人物用线谨细流畅,敷色妍丽,属南宋院体一路。图中所绘四名宫伎,皆衣着华丽、云髻高耸、青丝如墨、头饰如冠,细节刻画极其精细。造型上,与唐代仕女画中
“Meng Shu palace map (axis)”, made by the Ming Dynasty painter Tang Yin. Tang Yin (1470 - 1523), is one of the “witch talented people,” one word tiger, word dauntless, number six as lay people, Suzhou people. He first worshiped Zhou Chen as a teacher, taking the Southern Song Dynasty Li Tang, Liu Songnian, Ma Yuan, Xia Gui, and later Shen Zhou as a teacher. Absorb the four yuan of ink painting method, Bocaizhongzhang, blending the “courtyard ” workers and “literati painting ” of writing and self-styled style. The painting hidden in the Palace Museum, set for the color of silk, the size of longitudinal 124.7 cm, horizontal 63.7 cm, is an early Tang Yin works. The portrayal of the characters portray the fluent, brightly colored, is the South Song hospital body all the way. The figure shows the four Gongju, are dressed in gorgeous, Yun bun soaring, such as ink black, headdress such as the crown, the details of the description is extremely fine. Modeling, and Tang Dynasty ladies in the painting