“工·在当代——中国第九届工笔画大展”在中国美术馆举行,我特意关注了一下女性艺术家的工笔画。我想工笔画本来就有的装饰美,在女人的纤纤玉手中或许会更多一份柔媚,甚至在如此浮躁的社会文艺风气中,这种柔媚所以感受的现实之美还是那么感性,还是那么柔弱,还是那么自然。虽然新中国成立之后,中国妇女的地位有了明显的提高,但女性特有的感性和自我,还是能够在男人们浮躁的时候给他们一点冷静的思考,或许工笔画的未来并不在那些急于创新的人那里,反而在她们手中。毕竟她们对艺术的感情更细致、更体贴、更自如。因此,我不免有些感慨,很多人看不起女性画家,因为她们会面临更多的生活窘境,生孩子、带孩子、照顾丈夫 “Workers in the contemporary - China Ninth Great Solo Exhibition ” held in the China Art Museum, I specifically concerned about the female artists’ style strokes. I would like to decorate the beauty of the original strokes, may be more delicate in the hands of a woman’s slender, or even in such a fickle social literary atmosphere, so soft beauty so realistic feeling is still so sensuous, or so weak Or so natural. Although the status of Chinese women has been significantly improved since the founding of New China, women’s unique sensibility and self-esteem can still give them a sober thought when their impulsive men and women may not be able to innovate in the future Where people, but in their hands. After all, their feelings of art more meticulous, more thoughtful, more comfortable. Therefore, I can not help feeling that many people look down on female painters because they face more dilemmas, have children, take children and take care of their husbands