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2012年现世的渥巴锡、策伯克多尔济、功格、恳泽画像以及迄今尚未现世的舍楞、默们图、沙喇扣肯、雅兰丕勒、德勒德什、达木拜扎勒桑画像,均系乾隆三十六年九月下旬清宫西洋画家艾启蒙在避暑山庄绘制。策伯克多尔济为渥巴锡的堂侄而非其婿,且年长于渥巴锡。布彦楚克、策伯克扎布、奇里布、诺海、蒙滚画像以及迄今尚未现世的巴木巴尔画像,则是乾隆三十七年秋首次到热河瞻觐时所绘,是否艾启蒙绘制,尚难定论。布彦楚克画像将其封爵题为“和硕特贝勒”属错误,应为“和硕特贝子”。阿喇克巴画像当系乾隆四十七年秋首次到热河瞻觐时所绘,艾启蒙决非其绘制者。2012年现世的渥巴锡等十人画像,既与乾隆三十六年艾启蒙所绘福隆安等“脸像八幅”无关,也不完全等同于艾启蒙同年所绘渥巴锡等“脸像十幅”。
The images of the worldly Ottawa in the year of 2012, the picturesque Cebuque, the Celestial beings, the Kenzan portraits, and the so far unresolved Sharan, Moomin maps, Shalacken, Arranpil, Drederh, Ba Zhale Sang portrait, all of Qianlong thirty-six years in late September Qing Western artist Ai Qimeng drawn in the summer resort. Cebkordogh was the nephew rather than the son-in-law of Ubatz, and was older than Ubahchin. Bhimchinchuk, Zerbek Zab, Chiribu, Norhynch, and Montblanc as well as the immaculate Baum Barr portraits were painted by Qianlong in his first pilgrimage to Jehol in the autumn of 37, Enlightenment drawing, is still hard to determine. Bhousan Chuk’s portrayal of his title as “Wobbler Belt” is a mistake and should be “Wobbler”. As the portrait of Ahkabala was painted in the autumn of the 47th year of Emperor Qianlong’s first pilgrimage to Jehol, Qaiqimu was by no means the illustrator. In 2012, the ten-person portrait of the present-day Wabashei has nothing to do with Fu Long An et al.’s “Eight Faces” painted by Ai Qimeng in the Thirty-six Years of Qianlong’s Reign, nor is it exactly the same as the one written by Ai Qimeng in the same year “Face like ten ”.