我从七岁开始学评剧,至今已四十余年了。我最早在“四月仙”班社学艺。最初我是边学戏,边演出,扮演一些没有台词的角色。如《井台会》中的兔形、《打狗劝夫》中的狗形、《牛郎织女》中的牛形,《景阳岗》中的虎形,以及船夫、轿夫、打旗的等龙套角色,特别是“三国”戏中的龙套,我都跑全了,这对熟悉舞台、了解舞台起了很好的作用。我开始演戏演的是娃娃丑,如《玉堂春》里的金哥,《潘金莲》里的恽哥,《大劈棺》里的春云,《三圣母》里的王半仙,《活捉南三复》里的南三复等,这些丑行的功夫为我后来塑造人物打下了较好的基础。比如在《豆汁记》中的 I have been studying drama since I was seven years old and have been here for over forty years. My earliest in the “April cents” class club art. At first I was learning to play, performing side by side, playing some lines without a character. Such as the rabbit shape in “Jingtaihui”, the dog shape in “Fighting Dogs,” the cow shape in “Cowherd and Weaver”, the tiger shape in “Jingyang Gang”, and the dragon boatman, bearer, The role, especially in the “Three Kingdoms” drama, I ran all over, which familiar with the stage, to understand the stage played a good role. I started to play acting dolls ugly, such as the “brother” in “Yutang Spring”, “Brother Pan” in “Pan Jinlian”, Chun Yun in “Grand Pit”, Wang Banxian in “San Dian Mu”, “ Complex ”in the South Third complex, these ugly kung fu later shaped my character and lay a better foundation. For example, “bean juice in mind.”