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《陕西戏剧》1982年第三期发表了王晏卿同志写的《当前秦腔音乐改革中的几个问题》一文,作者谈出了自己对当前秦腔音乐改革中的一些见解和看法,是十分有益的。当前,在有关这方面的研究工作比较薄弱的情况下,我也谈谈自己的想法,以期促进对这个问题的探讨,并就正于王晏卿同志和读者。文章说:“秦腔唱词,用的是西安地区和径、三、高一带方言,经过存精去粗,综合而成的舞台语言声调体系。
The third issue of ”Shaanxi Drama“ published in the third issue of 1982, entitled ”Several Issues in the Current Qinqiang Music Reform“ written by Comrade Wang Yanqing, the author stated that it is very helpful for him to have some opinions and opinions on the current reform of Qinqiang music. At present, when the research work in this area is relatively weak, I will also talk about my own ideas in order to promote the discussion on this issue, and just as I have read about Comrade Wang Yanqing and readers. The article said: ”Qin chamber lyrics, used in Xi’an and the diameter, three, high along the dialect, through the save fine to coarse, a combination of the stage language tone system.