电影以“题材”划分并不十分科学,但人们总是习惯于这样把电影分为工业题材、农业题材、青年题材、女性题材。这里,笔者仅就女性题材电影创作谈点意见。中国自有电影制片业以来,女性题材一直是创作者涉猎的一个重要领域。新中国诞生后,妇女的地位发生了根本性的变化,电影创作者以更大的热情通过自己的作品表现中国妇女的翻身解放以及在人民当家做主的国家里所发挥的“半边天”作用。只要我们走进新中国的电影画廊,一部部优秀女性题材电影作品首先映入我们的眼帘。它们当中有:《中华女儿》、 The movie is not very scientific in terms of “subject matter”, but people are always accustomed to dividing the movie into industrial themes, agricultural themes, youth themes, and female themes. Here, I only talk about the female theme movie creation. Since the founding of China’s own motion picture industry, the theme of women has been an important area covered by creators. After the birth of New China, the status of women has undergone fundamental changes. Filmmakers, with their greater enthusiasm, show the Chinese woman’s liberation and the “half-sky” role in the country where the people are the masters of their country. As long as we walked into the New China Film Gallery, an outstanding female theme film works first came into our sight. Among them are: “Chinese daughter”,