中国的音乐美学研究正呈现出前所未有的活跃与丰富。随着方法论的不断拓宽与延展,对于音乐美学的哲学基础及学科性质有了更为深入的开掘与探讨,学科的研究领域与视角也日趋广阔与开放,各音乐学学科之间的彼此影响,相互对话以及一些边缘学科的介入更使得音乐美学的研究呈现出与以往大不相同的活泼局面。值得一提的是,近年来随着音乐 China’s music aesthetics is showing an unprecedented activity and richness. With the continuous expansion and extension of methodology, the philosophical basis and the nature of the subject of music aesthetics have been further explored and discussed. The fields and perspectives of the subject have also become increasingly vast and open. The mutual influence among the various musicology disciplines, Intercommunication and the intervention of some marginal subjects make the study of music aesthetics show a lively situation different from the past. It is worth mentioning that, with the music in recent years