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近几年来,中国画展中大部分是以工笔为主,写意画占的比例较少。这从侧面反映了写意画的衰落,但作为“国”字当头的画种要承载中华民族的文化,传达中国人的特有审美取向与宇宙意识只能是写意画。本文从民族特点——中华民族宇宙意识的先导、诗性的文化传统和代复一代从艺先驱对历史的选择和继承,对写意性画风应为中国画的主体美学做阐述。
In recent years, most of the Chinese art exhibitions mainly focus on calligraphy and calligraphy, and the proportion of freehand painting occupies less. This reflects the decline of freehand painting from the side, but the painting which takes the lead in the “country” should bear the culture of the Chinese nation, and convey the unique aesthetic orientation and cosmic consciousness of the Chinese can only be freehand brushwork. This essay elaborates on the characteristics of the nationalities - the forerunner of the Chinese nation’s cosmic consciousness, the poetic cultural traditions and the generation of the generation’s choice and inheritance of the arts by pioneers, and the elaboration of the freehand style of painting as the subject’s aesthetics of Chinese painting.