由于多方面的原因,以绘画艺术来说,在相当长的一个历史时期,新疆和内地之间缺少深层次的交流。虽然早在隋唐时期,古丝路上出现了杰出的丹青圣手尉迟跋质那和尉迟乙僧两位精于凹凸画法和屈铁盘丝描的父子画家,但是后继乏人。直至本世纪三十年代,新疆经历了漫长的绘画断裂。解放前,也只有司徒乔、赵望云等寥寥几位画家来新疆做过短期的写生。新疆各族人民还缺少自己的画 Due to various reasons, in the art of painting, there is a lack of deep-seated exchanges between Xinjiang and the Mainland for a long historical period. Although as early as the Sui and Tang dynasties, there were two father-son painters who excelled in concave and convex painting and silk-screen flexo works on the Silk Road. Until the thirties of this century, Xinjiang experienced a long painting fracture. Before the liberation, there were only a few painters such as Stuart Qiao and Zhao Wangyun who came to Xinjiang to do short-term sketches. People of all nationalities in Xinjiang still lack their own paintings