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明代宫廷音乐根据应用场合可分为祭祀乐、朝贺乐和宴享乐,这些音乐依附于繁杂的宫廷仪式,属于礼仪的一部分,它们的制作、规模与更定是考察明代宫廷音乐体制的重要因素。明代宫廷音乐较之历代宫廷音乐又体现出一些特点,包括道教音乐对祭祀乐的影响和民间俗乐对朝贺、宴享乐的影响。另外,雅乐制作中的种种困难,音律考定的一波三折,充分体现出随着时代的发展,陈旧、僵化的艺术形式终将被新颖、鲜活的艺术形式所取代这一结论。
According to the application, court music of the Ming Dynasty can be divided into ritual music, North Korea music and banquet enjoyment. These music are attached to complicated palace ritual and are part of ritual. Their production, scale and even more are the important factors to examine the court music system in Ming Dynasty . The court music of the Ming Dynasty also showed some characteristics compared with the court music of the past dynasties, including the influence of Taoist music on sacrificial music and the influence of folk vulgar music on North Korea’s Hee and Banquet. In addition, difficulties in the production of Allegro and twists and turns of the temperament test fully reflect the fact that with the development of the times, the old and rigid art forms will eventually be replaced by new and vivid art forms.