在中国古代音乐史和民族音乐理论的研究成果中,“均”字都是一个相当重要的概念,有些问题(如“同均三宫”)至今尚存争议。笔者在此文中不是要谈“同均三宫”的问题,而是从“均”的读音入手,得出“均”字释义中与音乐相关者,至少有三种不同的读法的结论。另则指出,作为先秦调律方法的术语,应避免使用“均法”一词,代之以文献中提到的“钧法”。 In the research results of the ancient Chinese music history and national music theory, the “” character is a very important concept, and some issues (such as “same average Sannomiya”) are still controversial. The author does not mean to talk about the issue of “same average Sannomiya” in this article. Instead, he starts with the pronunciation of “all” and concludes that there are at least three different Reading the conclusion. Another pointed out that as a pre-Qin tuning method terminology, should avoid the use of “averaging method”, instead of the literature mentioned in the “Jun law.”