国民党政府先后出台的系列战时文化统制政策,严重影响了当时文坛生态。在武汉失守尤其是皖南事变后的几年间,左翼作家茅盾的文集被禁、主编的杂志被禁、作品被删削,但他善于以笔钻网,以妙选题材、善择体裁以及委婉表达来展现其抗争。与茅盾相类的大批作家在夹缝中的艰难写作,多数进步作家抵制乃至控诉国民党的文化统制政策,导致国民党日趋失去了管控力。 The Kuomintang government successively promulgated a series of wartime cultural control policies that seriously affected the literary world at that time. A few years after the fall of Wuhan and especially the Southern Anhui Incident, the writings of Mao Zedong, a left-wing writer, were banned. The chief editor’s magazine was forbidden and his work was deleted. However, he was adept at using pen-and-pencil networks to select topics with wonder, genres and euphemisms Show its resistance. The vast number of writers who confronted Mao Dun with the difficult writing and the most advanced writers boycotted and even accused the Kuomintang of their cultural control policies resulted in the Kuomintang losing its control.