传统戏的命运是一波三折的。在新中国建立初期,戏曲改革的主要工作是做传统戏的整理改编;许多传统剧目经过整理改编以崭新的面貌出现在戏曲舞台上,这是新中国戏曲改革工作的重要成果。后来现代戏和新编历史剧受到重视,陆续有新作品出现;并且在1958年还出提出了“以现代戏为纲”的口号,认为现代戏创作得多才表明是“跃进”。 The fate of traditional drama is twists and turns. In the early days of the founding of New China, the main task of drama reform was to arrange and arrange traditional plays. Many traditional plays were arranged and adapted to a brand new appearance on the stage of opera. This is an important achievement in the reform of the traditional Chinese opera. Later, modern drama and new historical drama were taken seriously, and new works appeared in succession. In 1958, the slogan of “taking modern drama as the key link” was also put forward. It was thought that much more modern drama was made to show “leap forward”.