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京胡演奏者,多练几种流派毁手吗?我年轻时喜欢拉老生、花脸,尤爱老生,但碰到“对儿戏”时,象《坐宫》《三娘教子》《宝莲灯》《桑园会》《武家坡》等,各种流派均演,唱腔不同,风格迥异,我因不熟悉而疲于应付,常在台上受憋。记得有一次演出《武家坡》,旦角演员林秋雯宗程派,我撞得一塌糊涂。一次遇荀先生,他兴之所致吊嗓,可我对他的风格、旋律很陌生,拉的我满头大汗。在这撞与学之后,我觉得琴师应当多会几种流派,才能出色地完成伴奏任务。多面手琴师,前已有之。仅我所知许多前辈名家,如徐兰沅同时为谭鑫培、陈德霖、梅兰芳操琴;王少卿在前边为王凤卿拉京胡,后场给梅兰芳拉二胡;沈
When I was young, I liked Lao Sheng, Hua Lian and Lao Sheng. However, when I was in “play against the children”, I was like “Sitting Palace”, “Mother of God”, “Lotus Lamp” “Mulberry Association” “Wujiapo slope” and so on, all kinds of schools are performing, singing different, different styles, because I am not familiar with and struggling to deal with, often on the stage by the hold. I remember there was a performance, “Wujiapo slope”, corner actor Lin Qiuwen Zongcheng school, I hit a mess. Once encountered Mr. Xun, he Xingzhi caused by throat, but I was his style, melody is unfamiliar, pulled me sweating profusely. After this collision and learning, I think the teacher should be more genres of several genres in order to accomplish accompaniment tasks. Multi-handed luthier, formerly known. As far as I know, many famous predecessors, such as Xu Lanyuan Tan Xinpei, Chen Deli, Mei Lanfang piano; Wang Shaoqing in front of Wang Jingqing Lao Jing Hu, the back field to Mei Lanfang pull Erhu; Shen