论文部分内容阅读
美术作品中政治态度的从古代的隐晦暗喻表达变成了近代尖锐明快的宣扬,从上层精英圈内部的小众流传成为了革命先锋对普通民众的大幅扩散。于晚清出现的宣传画,在救亡与革命为主题的时代被大力发扬,骤然成熟,顺势成为了最为政界重视的的宣传工具。艺术性与政治性的博弈,在五四运动后以宣传作品政治性的绝对优势胜出,在解放战争后美术作品的政治宣传性扩散向全国。中共宣传受毛泽东文艺思想指引,常以塑造新道德标准、提高生活质量、发挥爱国热情为口号,以贴近农民审美情趣为风格吸引民众关注进行革命动员。本文试图展示近代美术与政治的关系,以解放战争期间的这一转折期的报刊为典型,对以上问题做出探索,并回溯近现代革命性绘画的发展历程。
The obscure metaphorical expression of the political attitude in the art works from the ancient times turned into a sharp and sharp propaganda in the modern era. From the circulation of the minority elites within the upper elite circle, it became the sharp proliferation of ordinary people by the revolutionary vanguard. The posters appearing in the late Qing Dynasty were vigorously developed in the age of salvation and revolution, and they suddenly became mature and become the propaganda tool of the most political importance. The artistic and political game won the political superiority of propaganda work after the May 4th Movement and the political propaganda of the fine art works spread to the whole country after the liberation war. Propaganda by the Mao Zedong literary and artistic thought guidance, often to create new moral standards, improve the quality of life, give play to the patriotic enthusiasm for the slogan, close to the peasant aesthetic taste as the style to attract the public attention to the revolutionary mobilization. This paper attempts to show the relationship between art and politics in modern times. Taking the typical newspapers at this turning point during the war of liberation as an example, this paper explores the above issues and traces back to the development of modern revolutionary paintings.