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80年代中期以后,中国文坛走进了一个纷扰佛扬的世界,形形色色的西方文艺思潮相继登台亮相,文艺理论研究和文学评论领域里塞满了没有经过消化和充分理解的新名词、新概念、新框架。困惑、迷茫笼覃着文学理论和实践。符合人民需要的文学实践应有与之相适应的文学理论,建立起符合中国国情的马克思主义文艺理论体系成为文艺理论界有识之士的共识。大家清醒地知道,我们不能依靠舶来的理论建构中国的文艺理论,大家也更意识到,面对
After the mid-1980s, the Chinese literary world entered a world of disturbing Buddhism. Various western ideologies of literature and art have appeared one after another in the field of literary theory research and literary criticism. They are filled with new terms and concepts that have not been digested and fully understood, New framework. Puzzled, confused cage literary theory and practice. The literary practice in line with the needs of the people should have the literary theory compatible with it and establishing a theoretical system of Marxist literature and art in line with the actual conditions of China has become the consensus of people of insight in literary and art theorists. All of us are soberly aware that we can not build China’s theory of literature and art on the basis of the theories that we have borrowed. We are all more aware that in the face of