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苏格兰小说的发展历经沉寂与崛起。本文从苏格兰小说本身发展的历程考察它的起步,探寻其创作的历史情怀与源头;结合苏格兰民族复杂的历史文化背景,尤其是纠结其中的语言问题,解析它对民族性的超越;从读者接受的角度,讨论苏格兰小说家身份的多样性,探讨它的跨文化特征。由此指出,苏格兰小说创作在历史与现实的拉锯中,复杂的历史情怀、创作语言的杂糅、作家身份的多重性等因素的融入,成为它自身发展并走向世界的原因。
The development of Scottish novels has been quiet and rising. This paper examines the starting point of Scottish novel itself and explores the historical feelings and origins of his creation. Combining with the complex historical and cultural background of Scottish nation, especially the language problems entangled, this article analyzes its transcendence over nationality; Discussing the diversity of Scottish novelists’ identities and discussing their intercultural features. Therefore, it is pointed out that in the see-saw of history and reality, the composition of Scottish novels has complicated historical feelings, the mixture of writing languages and the multiplicity of authorship, which make it become the reason why it develops and goes global.