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拥有五千多年历史的华夏文化博大精深,源远流长。我国的书法作为一门独立的艺术在历史的演变发展中愈发充满迷人魅力。不论是殷商时期的甲骨文,还是春秋战国时期的钟鼎铭文,还是汉隶、唐楷,抑或是当今的草书,我国的书法艺术与传统文化一脉相承。我国独具一格的书法艺术来源于生生不息的华夏文明,也在一定程度上展现了千千万万华夏子孙的个性、风格。华夏民族幅员辽阔,地域文化差异造就了不同的艺术风格,故有南北之论,书法自然不能排除在外。北方人性格豪爽、直率,书法风格则偏向于壮美、雄强;南方气候温润,人们性格机灵,书法则较为秀美。本文就以书法艺术风格的壮美与秀美为着眼点,列举了唐朝的颜真卿和元朝的赵孟頫两种不同的书法艺术美学特征的典型代表人物。
With more than 5000 years of history, Huaxia culture is profound and has a long history. As an independent art, calligraphy in our country is more and more charming and charming in the evolution of history. Whether it is the period of the Shang dynasty or the inscriptions of the Spring and Autumn period and the warring states period, or the Han clan, Tang Kai, or today’s cursive script, the Chinese calligraphy art has the same tradition as the traditional culture. Chinese unique calligraphy art comes from the endless Chinese civilization, but also to some extent demonstrated the personality and style of thousands of Chinese descendants. The vast territory of Huaxia ethnic minority and regional cultural differences have created different artistic styles. Therefore, there is a theory of North and South, and calligraphy can not be ruled out. Northerners are forthright, straightforward, and calligraphic styles tend to be magnificent and majestic; the southern climate is warm, the people are clever and the calligraphy is more beautiful. This article focuses on the magnificence and beauty of the calligraphic art style, and lists two typical representative characters of calligraphy art aesthetics from Yan Zhenqing in the Tang Dynasty and Zhao Mengfu in the Yuan Dynasty.