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约以隆庆元年(1567)为界,明代日记体散文创作分为前后两期。前期日记,题材范围较狭,多为出征纪行,其中模山范水之作颇具审美价值,描景状物,或情景交融,或写景、叙事、抒情相结合,但抒情成分较少。后期日记,题材丰富,包括叙事抒情、山水园林、书画鉴赏、读书心得等类。长短自由,手法灵活多变,常将叙事、抒情、写景融于一炉,鉴赏心得之作多议论精到。后期日记更为真实随意,与现实政治背景密切相关。明代日记体散文皆以真实自然为尚,后期艺术上更为纯熟,亦为小品文的重要组成部分。明代日记体散文在时代文学和散文史上独具特色和地位,学界应予以必要的重视。
About the first year of Longqing (1567) as a world, Ming diary prose writing is divided into two periods. Early diary, the narrower scope of the subject, mostly for expeditions, of which Fanfan Fanfan made quite aesthetic value, depicting scenery, or scene blending, or scenery, narrative, lyrical combination, but less lyrical composition. Late diary, rich themes, including narrative lyric, landscape garden, painting appreciation, reading experience and other categories. The length of freedom, flexibility and changeable tactics, often narrative, lyrical, writing melted in a furnace, appreciate the experience of more talkative. Late diary more real random, closely related to the real political context. Diary essay in Ming dynasty is based on the real nature as a monk, the later art is more skillful, but also an important part of the essay. Diary essay in the Ming Dynasty in the history of literature and prose unique and status, the academic community should be given the necessary attention.