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寒冷的2006年冬天,国内电影界火爆如沸粥,这边掌声未歇,那边骂声又起。最吸引眼球的无疑是商业大片和艺术电影的口水大战,主角是张艺谋导演的《满城尽带黄金甲》和贾樟柯导演的《三峡好人》。这本是两部井水不犯河水的电影,一个是冲击票房纪录的商业大片,一个是扬威威尼斯电影节的艺术先锋,你挣你的票房,我拿我的大奖。但在中国电影的特殊环境下,两部本该和平共处的电影干戈相向,也把贾樟柯推
In the cold winter of 2006, the domestic film industry was hot like boiling porridge. There was no applause from the applause and the buzz came again. The most eye-catching is undoubtedly the salivation of the commercial blockbusters and art films. The protagonists are Zhang Yimou’s “The Golden Flower of Mancheng” and Jia Zhangke’s “The Three Gorges”. This is a movie in which two wells don’t commit river water. One is a commercial blockbuster that hits the box office records. The other is the artistic vanguard of the Venice Film Festival in Yangon. You earn your box office and I take my big prize. However, under the special circumstances of Chinese films, the two movies that were supposed to peacefully coexist in opposition to each other were also pushed by Jia Zhangke.