“地下电影”这一概念,是我们对那些不符合主流意识形态和价值观的电影赋予的一个标签,对于这一标签,可能多数人看到都会有种疏离感且不愿触及,因为它可能本身与主流价值观有某种背离,容易给人一种负面的印象。但从理论研究角度出发,本人认为我们对这一概念并无必要讳莫如深避之不及,而是应该坦然面对,不论是管理者、创作者还是受众,认真对这一现象进行分析和研究,从而端正我们对电影艺术创作及作品更客观的态度,提高我们认识和鉴赏电影艺术作品的水平。更重要的是,在国家意识形态及基本价值观的框架下,在尊重事实基础上,领会国家法律法规的真实意图,增强我们主动识别真伪的能力,更客观的认识并规范电影艺术创作,同时更好的指导我们的监管工作和创作思想。 The concept of “underground movie” is a label we give to movies that do not fit into the mainstream ideology and values, and most people may feel alienated and reluctant to see it because it May have some kind of deviation from the mainstream values, it is easy to give a negative impression. However, from a theoretical research point of view, I think it is not necessary for us to keep an eye out for this concept. Instead, we should confidently face up to this question whether managers, creators or audiences carefully analyze and study this phenomenon Correct our more objective attitude towards the creation and production of cinematic works and enhance our understanding of and appreciation for the quality of cinematic works of art. More importantly, under the framework of the state ideology and basic values, on the basis of respecting the facts, it comprehends the true intentions of the state laws and regulations, enhances our ability to take the initiative to identify the authenticity and more objectively recognizes and regulates the artistic creation of cinema, and at the same time Better to guide our supervision and creative thinking.