进入80年代中期以后,传统戏曲艺术遇到了严峻的挑战。挑战的主要对手之一就是号称“魔匣子”的电视。作为一种大众传播媒介,电视“使起坐间变成娱乐中心,并使我们不想到别的地方去寻求快乐。它减少了我们的社会生活、旅行和我们闲聊的时间……”同样,它使原来经常到剧场去的观众不再光顾剧场。观众数量的锐减使戏曲出现了“危机”现象。随着电子技术的加速发展,电视愈加普及,越来越成为大众生活的重要组成部分,“电视时代”的到来已逐渐变成现实。面临这一形势,传统戏曲艺术不能消极地等待,而 After entering the mid-1980s, traditional opera art faced severe challenges. One of the main challenge of the challenge is known as “Magic Box child ” TV. As a mass media, television “turned the sitting room into an entertainment center, and made us want to seek happiness elsewhere. It reduces our social life, travel and the time we talk ...” Similarly , It makes the original audience often go to the theater no longer patronize the theater. The dramatic drop in the number of viewers brought the phenomenon of “crisis” to the drama. With the accelerated development of electronic technology, television has become more and more popular and has become an increasingly important part of public life. The advent of “television era” has gradually become a reality. Faced with this situation, the traditional drama art can not wait negatively