文章从构图、造型、色彩三个方面对“文人画”的视觉结构进行了阐述,指出这三个要素相互联系、相因相成,从而构建了“文人画”外在的形式范畴,并以此来表达文人画家内心深处的自我需求:用“虚与实”的美学理念辩证地使得自然客体、画家主体与艺术作品三者之间的关系浑然天成,这正是“文人画”视觉结构的现代价值所在。 This article elaborates the visual structure of “literati painting ” from three aspects of composition, modeling and color. It points out that these three elements are interrelated and mutually complementary, thus constructing the external form of “literati painting” Category, and in order to express the inner self-needs of literati painters: to use the aesthetic concept of “imaginary and real” dialectically makes the relationship between the natural object, the main body of the painter and the works of art totally natural, which is exactly “Literati painting ” visual structure of the modern value lies.