奉家丽是当代女性艺术创作群体中具有女性主义观念和意识的女艺术家之一。 1993年之前,她的学院期创作实践倾向于西体中用的形式适应性,追求民族的、现代的、个性的多元融合。如《逸春图》系列和《中国山水》系列,以西方现代油画的形式、技法来表现宋元文人画的意趣和境界。尽管这种实验获致了相应的艺术表现才能,但她很快体察到这种只能印证某种高级文化修养的创作趋向,将俾使自身变成一根主流艺术的肋 Feng Jiali is one of female artists with feminist conception and consciousness in contemporary female art creation group. Prior to 1993, her academic practice of writing tended to adopt the formal adaptability in the West and pursue the pluralistic integration of ethnicity, modernity and individuality. Such as the “Spring and Autumn” series and the “Chinese landscape” series, the form and technique of Western modern oil painting to show the interesting and realm of the Song and Yuan Dynasty literati painting. Although this experiment led to the corresponding artistic performance, she quickly realized that this kind of creative tendency that can only prove some advanced cultural accomplishment will make itself become a rib of a mainstream art