对于当代戏曲演员来说,继承前辈艺术家留下的宝贵财富,和兄弟剧种交流,向影视、话剧、音乐、舞蹈等各类艺术学习借鉴至关重要。同时,更需要有胆识和能力,把学来的东西加以融合吸收,才能创造出自己的剧目,自己的角色。我深深体会到,处理好继承、借鉴、创造三者关系,多方面地进行表演实践和理论探索,是当代青年戏曲演员所应具备的思维方式和艺术素养。 随着在“首届中国京剧优秀青年演员研究生班”的深造,我更深悟到超越精神和表演上的创造力,是提升一个演员档次的关键。作为一名研究生,我渴望能成为一个有文化底蕴并富于创造力的演员。因此,我选择排演剧作家盛和煜的新作《蝴蝶梦》。这是一个充满哲理 It is very important for contemporary opera actors to inherit the valuable wealth left behind by their predecessors and communicate with their brothers and sisters to learn from the various arts such as film, drama, music and dance. At the same time, it requires more courage and ability to integrate the learned things to create their own repertoire and their role. I deeply understand that dealing with the succession, drawing lessons from and creating the relations among the three, performing performance practice and theoretical exploration in various aspects are the modes of thinking and art accomplishments that modern young opera actors should possess. With the further study of “The First Chinese Peking Opera Outstanding Young Performers in Postgraduate Class”, I have realized that beyond the spirit and creativity of acting, I am the key to enhance the performance of an actor. As a graduate student, I long to be able to become a culturally creative and creative actor. Therefore, I chose to rehearsal of playwright Sheng He Yu’s “Butterfly Dream”. This is a full of philosophy