勒菲弗尔认为翻译是最明显的重写形式。翻译作为对原文的重写受到译者本身、意识形态以及主流诗学因素的制约。莎士比亚历史剧《亨利五世》的两个著名汉译本作为研究个案佐证了作为重写者的译者的主体性以及意识形态和主流诗学对莎剧翻译中翻译策略选择的制约作用。 Le Favre considers translation the most obvious form of rewriting. Translation, as a rewriting of the original text, is restricted by the translator’s own, ideological and mainstream poetic factors. Two well-known Chinese versions of Shakespeare’s historical play Henry V corroborate the translator’s subjectivity as a rewriter and the restrictive effects of ideology and mainstream poetics on the choice of translation strategies in Shakespeare’s plays.