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粉彩根植于我国铜胎画珐琅的基础上,肇端于康熙二十年后臧应选督陶时。至雍正,甚为流行,并从此成为景德镇釉上彩瓷的主流。清雍正粉彩孔雀牡丹纹盘该盘口经38.7、高6.2、足径23.1、足高1.1Cm。口径镶有浆色釉,撇口、底微凹,圈足内敛,足端露胎并呈泥鳅背状,足底满釉。无款识。胎略厚,胫部厚达0.6Cm釉白微闪青,釉面有针眼和釉浪,欠光洁滋润。外壁无纹饰,盘内口沿饰夹花开光锦纹一周,盘心以孔雀、牡丹、玲珑石、桃花、
Pastel rooted in copper enamel painting on the basis of our country, beginning in the Kangxi two decades after the election when the governor Tao. To the Yongzheng, very popular, and since then became the mainstream of glazed porcelain in Jingdezhen. Qing Emperor Yongzheng pastel peacock pattern tray The mouth by 38.7, high 6.2, foot diameter 23.1, full height 1.1Cm. Diameter inlaid with plasma glaze, lip-split, at the end of micro-concave, confined foot circle, the tip of the exposed and loach back shape, full glaze. No knowledge. Tire slightly thick, shank thick 0.6Cm glaze white micro-flashing green, glazed needle and glaze waves, less smooth and moist. Outer wall without decoration, the mouth of the tray along the opening of the flower pattern Kam Kam week, the heart to peacocks, peonies, exquisite stone, peach,