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专家点评阅读海外中国电影史的研究著述,总会有一种熟悉的陌生感或陌生的熟悉感,但在心领神会之后不禁喟叹,兴奋击节之余往往存疑,收获必然很大。譬如以下四篇论文,探讨的主要议题分别是顾肯夫的立论与中国早期默片中的表演现代性、以太与战时重庆的宣传电影理论、《新女性》与30年代上海殖民现代性的电影呈现,以及《小城之春》中的美学与道德政治。对我而言,研究对象都是耳熟能详的,但如此独特的研究视角,
Experts Comments Reading the history of overseas Chinese film research, there will always be a familiar familiarity or unfamiliar sense of familiarity, but after the pamper can not help but sigh, excitement beyond the Festival are often doubts, the harvest is bound to great. For example, the following four papers discuss the main issues are: Gu Kefu’s argument and the modern performance of the early silent film in China, Ethernet and wartime Chongqing propaganda film theory, “New Women” and the 1930s colonial modernity in Shanghai movie Presented, and the aesthetics and ethical politics in Spring in a Small Town. For me, the research object is well known, but such a unique research perspective,