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当我们到达里昂的时候,正好是里昂双年展开幕后的一个月。如同大多数双年展和三年展一样,我们只能选择一次性的遭遇。错过了盛大开幕、兴奋派对、星光论坛、业内人士和热情观众,姗姗来迟者就只能看到展览,这大概也是一般观众的双年展体验。大展都存在一个衰减期,专业观众对于开幕的执迷既是双年展景观的一部分,也算是一种必要的策略。反正,一个月后的里昂,熵已经开始,热闹的顶峰已过,分崩离析正在此时,双年展机器所制造的体验亦不复完整。
When we arrived in Lyon, it was exactly one month after the opening of the Lyon Biennale. Like most biennials and triennials, we can only choose one-off encounters. Missed a grand opening, excitement parties, celebrity forums, industry insiders and enthusiastic audiences, who will only be able to see the exhibition after a long time, which is probably the general audience’s Biennale experience. There is a decay period in the exhibition, and the professional audience’s obsession with opening is not only a part of the Biennale landscape, but also a necessary strategy. Anyway, a month later in Lyon, entropy has begun, the peak of liveliness has passed, falling apart at this time, the experience of the Biennale machinery is also not complete.