李苦禅在西方油画与中国山水画之间试图寻找平衡,并吸收西方写实的扎实物象基础,提升物象的抒情表意的冲击力和内涵。他的绘画虽然充满着变革和创新,但他并不去追求带有强烈个性色彩的突破,而是深入绘画的历史肌理寻求用笔与用墨的技法拓展, Li Kuchan attempted to find a balance between western oil painting and Chinese landscape painting and absorbed the solid material basis of western realism so as to enhance the impact and connotation of the lyrical representations of objects. Although his painting is full of change and innovation, he does not pursue the breakthrough with strong individuality. Instead, he attempts to explore the historical texture of in-depth painting with pen and ink technique,