清初,后金天聪九年(1635年)八月,皇太极为迎接出征时,放炮三次,吹海螺,“打鼓吹箫,吹喇叭唢呐,对天叩头”(见《清太宗实录》)。这是清代出现最早的满族鼓吹乐。其后,清室入关,汉人又大量流入关外,汉、满文化融会贯通,汉族鼓吹得以广泛流传、更加兴旺,不仅在民间婚、丧普遍应用,而吉凶之礼和迎神赛会上,乃至商家开业、子弟登科、庆典佳宴,无不用鼓吹作乐。可见鼓乐早已成为民俗生活中不可缺少的重要内容了。综上所陈,辽宁鼓乐的渊源与发展同全国其它鼓乐有着密不可分的血缘关系,是我国民俗音乐的一大支流。辽宁鼓乐的形成当是清代中叶,辽南各县应是其重要发祥地。秦汉之际,便有辽东、辽西二郡的设置, In the early days of the Qing dynasty, after Jin Tiancong nine years (1635), in August of the same year, in order to greet the expedition, Huang Taizi shot three times and blew a conch with a “drumming blowjob and a trumpet-shaped suona that kowtow to the sky” (see Qing Taizong Record). This is the earliest Manchu advocacy music in the Qing Dynasty. Since then, the Qing chamber into the customs, Han Chinese and a large number of influx of customs, Han, Manchu culture mastery, Han advocacy to be widely circulated, more prosperous, not only in civil marriage, funeral application, and good and bad ceremony and meet the tournament, and even merchants Opened, children Dengke, celebrations feast, all without pretense. Shows that drum music has long been an indispensable part of folk life important content. To sum up, the origin and development of Liaoning drum music has a close relationship with other drum music throughout the country, and is a major tributary of folk music in China. When the formation of Liaoning drum music is the middle of the Qing Dynasty, counties in southern Liaoning should be its important place of birth. Qin and Han dynasties, there Liaodong, Liaoxi two counties set up,