中国的画法技巧一直都充满着传奇色彩,中国画在刚开始学习的时候,要经历一个“平正”的阶段,也就是构图、造型以及临摹等基础性学习。而后进入到名为“险境”的创作阶段,在这一阶段就是已经掌握了最基本的画法,要对自己的画法进一步提高,去追求一些更高的目标,不断地超越自己。到了最后的阶段,便开始返璞归真,回归到“平正”的阶段,也就实现了从“有法”到“无法”的过渡,前面的一切规则都显得并不是那么重要,只是剩下最后的平淡,像美玉一样散发着自己独特的光彩。 Chinese painting techniques have always been full of legendary colors. Chinese paintings, at the beginning of their study, have to go through a stage of “flatness”, that is, basic learning such as composition, modeling and copying. And then into the creation stage called “danger ”, at this stage is already mastered the most basic painting, to further improve their own painting, to pursue some higher goals, and constantly go beyond their own . In the final stage, it will begin to return to nature and come back to the stage of “Ping Zheng ”, thus realizing the transition from “law ” to “no ”, and all the rules in front appear not to be so important. Only the last remaining dull, exudes its own unique luster like a jade.