在《小说选刊》2014年第4期的“责编稿签”中,我曾这样谈论不有的一篇小说:“《人面鱼》把我震了一下,它和《河的第三条岸》等众多以细腻翔实笔墨虚构故事的作品一样,给人以震惊的回响和余味……第一人称,‘我’作为叙事者,我们信任了‘我’的讲述,对‘我’具有好感,但实际上只要脱离叙事者对我们打量故事的控制,跳出来,客观看待‘我’讲述的一切,就会发现‘我’的性格正是促成旅游也是错过景观的缘由,‘我’的紧张、猜疑等负面情 In the fourth issue of the novel No.4, 2014, ”I wrote a book about criticism,“ I did not talk about a novel like this: ”The human fish“ shocked me a bit, and it was ” Three shores "and many other fictional works with delicate and detailed ink and calligraphy, giving people a shocking echo and aftertaste ...... The first person, 'I' as a narrator, we trust the 'I' about the 'I' have However, in fact, as long as we are free from the control of the narrator who looks at the story of us and jump out and objectively view everything that 'I' is about, we can find that the character of 'I' is the reason that tourism is the cause of missing the scenery. 'I' Tension, suspicion and other negative feelings