董其昌与蓝瑛,一位是明末书画宗师,书法冠绝一时,山水画为文人画旗手,“松江派”的核心人物,并以“南北宗论”引领风气,影响身后三百余年;一位是勤奋而多能的职业画家,在山水、花鸟画领域都极为丰产,身前也享有较高声誉,从学者众多,有“武林派”之称,但去世后声誉日隳,一百多年后被归入“野狐禅”般的“浙派”一路,至今艺术史地位暧昧不明。他们两人有什么关系呢? Dong Qichang and Lan Ying, one is the master of calligraphy and painting in the late Ming Dynasty, the calligraphy crest, landscape painting for the literati painting bearer, “Songjiang school ” of the core figure, and “North and South Sect ” lead the trend, affecting 300 A year is a diligent and pliable career painter, in the landscape, flowers and birds are extremely rich in the field of field, in front of also enjoy a high reputation, from many scholars, there is “Wulin School,” said, but after his death reputation The sundial, more than a hundred years later, was classified as “wild fox zen” like “zhe faction” all the way, so far the status of art history is ambiguous. What is the relationship between the two of them?