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拉孜县平措林寺的主殿祖拉康以技艺精湛、风格独特的壁画而著名。壁画在传统藏族艺术的基础上,大量吸收汉地、印度和尼泊尔等地风格而自成一体,备受学术界关注。本文结合文献,在对其创建史和题材进行记述的同时,对其风格中重要组成部分之一的汉式风格与钦孜画派的重要杰作贡嘎寺壁画进行了比较,认为祖拉康殿壁画应为明末钦孜画派的作品,或至少应与钦孜画派密切相关。
The main hall of Lhasa Pingtunglin Temple is famous for its exquisite artistry and unique style of murals. On the basis of traditional Tibetan art, the murals have absorbed a lot of styles from the regions of Han, India, and Nepal and have become the main body of attention. This article combines the literature, in its creation history and theme of the narrative at the same time, one of its major part of the style of the Chinese style and the important masterpiece of Gongzhu painting Gongga Temple were compared, that the Zarakang Hall The mural painting should be the work of the Chih-tzu school of painting in the late Ming, or at least should be closely related to the Qin-tzu school of painting.