在本次名为《错位》的展览中,艺术家王智远用大量废弃的塑料制品、改装成女人体的摇头电扇和超大体量的内裤等将空旷的展厅改造成一处充斥着“低俗”情趣的乐土。这种“低俗”之感靠废弃现成品的堆砌或放大日常之物的老套手法表现为一种感官上的直白陈述,不论艺术家想在作品中隐喻出怎样的批判或赞许,陈列在作品表层的那些熟悉的商标或司空见惯的日常形象,却总是在第一时间将观众的兴趣集中在 In this exhibition titled “Dislocation”, artist Wang Zhiyuan transformed the open exhibition hall into a room filled with “vulgar” with a large amount of discarded plastic products, a moving fan transformed into a woman’s body, and a superb amount of underpants. Paradise This sense of “vulgarness” manifests itself in an organ of sensual straightforwardness, relying on old-fashioned methods of piling up or exaggerating everyday objects of discarded ready-mades, no matter how critically acclaimed or approachable an artist would like to metaphor in his works On the surface of the works of those familiar with the logo or common daily image, but always the first time the audience’s interest in the focus on