我的主要作品我和黄健中导演合作的作品有《如意》、《二十六个姑娘》、《良家妇女》、《贞女》。跟李前宽合作过《开国大典》、《重庆谈判》、《决战之后》、《七.七事变》。跟丁荫南合作过《梅岭星火》、《孙中山》。最早和刘国权合作过《青松岭》。先后写的片子四、五十部。电影音乐创作应该从影片创作一开始就介入总的感觉中国电影音乐的水平还不行。这和电影剧作者、导演,一直到作曲家的电影修养有关系,也和剧作者、导演的音乐观念有关。所谓音乐观念表现在导演对音乐没想法。他在构思分镜头的时候,经常是从画面和故事情节出发,而不是考虑总体艺术的结合。总是到创作的后 My main work I work with director Huang Jianzhong works include “wishful”, “twenty-six girls”, “good woman”, “virgin”. With Li Qiankuan cooperation “founding ceremony”, “Chongqing negotiations”, “decisive battle”, “seven seven changes.” With Ding Yinnan cooperation “Meiling Spark”, “Sun Yat-sen.” The first cooperation with Liu Guoquan “Ching Chung Ling.” Has written the film four or fifty. Film and television music production should start from the beginning of the movie involved in the general feeling of the level of Chinese film and music is not enough. This and the movie writer, director, until the composer’s film culture are related, and the dramatist, director of the music concept. The so-called concept of music performance in the director did not think music. Instead of thinking about the combination of the overall art, he often starts with the picture and the storyline when he or she constructs a shot. Always after the creation