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中国油画的写实情结在70后、80后青年画家的创作中表现得如此浓重,的确是个值得追问的文化现象。这在前不久于中国美术馆展出的“2012新写实油画展览”上,再次获得了印证。谓其为文化现象,是因为写实油画热自上世纪80年代始一直持续升温,这股热潮和欧美其时正在兴盛的当代艺术逆向而行,也和80年代中国勃兴的先锋艺术背道而驰。当时被命名的“新写实”或“新古典主义”以靳尚谊、杨飞云、艾轩、孙为民、陈逸飞等为代表,所谓
The realism complex of Chinese oil painting is so strong that it is a cultural phenomenon worthy of inquiry. This was confirmed again shortly before at the “2012 New Realist Oil Painting Exhibition” exhibited by the China National Art Museum. Call it a cultural phenomenon because the realism of oil painting has been on the rise since the 1980s. This upsurge has gone against the trend of contemporary art in Europe and the United States, and runs counter to the avant-garde art pioneering in China in the 1980s. At that time, “New Realism” or “Neoclassicalism” was named after Jin Shangyi, Yang Feiyun, Ai Xuan, Sun Weimin, Chen Yifei, etc. The so-called "