张宗祥有《临池随笔》《论书绝句》等著作。《书学源流论》分原始篇(篆、隶、楷、草、行)、屋异篇(笔、纸、墨)、时异篇(汉晋、六朝、隋、唐、五代、宋、元、明、清)、势异篇(用笔、结构)、人异篇(胸襟、学问)、溯源篇、赏鉴篇等。自记云:“艺术术之书,传者绝少,譬诸久行沙漠中,一旦得见草木,虽寻常或亦足赏玩耳。”全书简明扼要,精彩纷呈。如:“碑版流传,篆少于隶矣。自汉历晋至唐,由雄浑而恣肆,由恣肆而工秀,气象不同,而字体之变易甚少。故论隶书,则汉为大宗,晋为庶出,唐为小宗矣。又隶较篆变易甚少,然名称混淆甚矣。有以真书当隶者,有以六朝碑当隶者,古隶、今隶,聚讼盈庭,徒 Zhang Zongxiang has ”Lin Chi essay“ ”book quatrains“ and other works. The Book of Origin and Flow Theory consists of the original articles (Zhuan, Li, Kai, Cao, Xing), Wuyi (pen, paper and ink) and different articles (Han and Jin Dynasties, Sui and Tang dynasties, , Ming and Qing), different potential articles (with pen, structure), different people (mind, learning), traceability articles, articles and other appreciation. Since the mind cloud: ”Art book, few people, such as a long trip to the desert, once you see the vegetation, although unusual or playful ears. " The book is concise, brilliant. From the Han Dynasty to the Tang Dynasty, from the vigorous and unbridled by the unbridled and workers show, the weather is different, and the font becomes very easy. So on the official script, the Han bulk , Jin Shu Shu, Tang is a small case.And more Zhuanzhuan change less easy, but the name is confused even carry on. Have a real book when those who have, Court, only