人们正在用各种标尺来衡量戏剧的进步。有本体论的、创作方法论的、美学的、人学的以及社会学的等等。这里还有一把标尺,即是从传播学的角度来研究观演关系。把某个时期观众需要和演出之间的关系,视为戏剧发展最基本的矛盾运动,而剧院恰恰是调节观演关系的传播中介。谈起剧院建设和传播学的关系,大家还比较生疏,其实,这两者是息息相关的。传播学作为一个新兴的学科,至本世纪三、四十年代才形成专门的研究领域。由于现代社会的信息传播手段和信息量的极大丰富, People are using a variety of rulers to measure the progress of the drama. There are ontological, creative methodological, aesthetic, human and sociology and so on. Here is a ruler, that is, from the perspective of communication study of the relationship between the show. The relationship between audience needs and performance at a given time is regarded as the most basic contradiction movement in the development of the theater. The theater is precisely the media for mediating the relationship between the actors and the audience. Talking about the relationship between theater construction and communication, we are still relatively unfamiliar. In fact, the two are closely linked. As a new discipline, communication studies formed a special field of research until the 1930s and 1940s. Due to the great wealth of information dissemination means and information in modern society,