毫无疑问,在当今世界上还没有哪个国家像中国这样重视素描在美术教育中的作用。自素描从西方传入中国以来,就一直受到美术教育界人士的极大关注,并且将素描作为一门必不可少的基础学科在美术教育中设立,共普及和深入人心的程度是任何重视文化教育的国家都难以比拟的。在当今的西方,那些文艺复兴时期以来的艺术巨匠们的素描作品已经永远留在了博物馆里,从素描作为其它造型艺术门类的辅助手段由画坊走进美术学院的教室里以来,素描在古典到现代的艺术发展过程中正逐渐失去它的传统面目。当西方大多数美术学院传统素描教学的写实能力已经退化的时候,我国的素描教学事业正日趋成熟,并为外国同行所公认。但是,我国的素描教学在接受和借鉴外来素描学派的影响 There is no doubt that no country in the world today attaches importance to the role of sketching in art education as China does. Since the introduction of the sketch into the West from the West, it has always been the great concern of the art education community. Drawing sketch as an indispensable basic discipline in art education, the degree of popularization and deepening of people’s hearts is that any emphasis on culture Education is unmatched in all countries. In the modern West, sketches of art masters from the Renaissance have remained in the museum forever. Since the art of sketching as an art aided by other art forms, It has gradually lost its traditional face to the development of modern art. When the literary skills of traditional sketch teaching in most western art schools have been degraded, the sketch teaching in our country is becoming increasingly mature and recognized by foreign counterparts. However, the sketch teaching in our country is receiving and drawing lessons from the external school of drawing