三/双年展作为一种全球性的艺术现象,融合了艺术家、策展人、艺术机构、赞助者等多种角色,涉及政治、经济、文化、艺术、社会、历史等多个方面,成为文化身份、意识形态、权力竞争的空间。从1895年全球第一个双年展——威尼斯双年展,全球已经有三百多个双年展。20世纪90年代至21世纪头十年,随着政治文化的多元发展、亚洲经济的崛起、艺术生态的开放,亚洲文化逐渐走向世界的前台,亚洲的现状与未来日益成为世界各国关注的焦点。亚洲艺术不仅作为亚洲问题与意识的重要表征,更成为全球化问题的集中 As a global art phenomenon, the Third / Biennale integrates artists, curators, art institutions, sponsors and many other roles in politics, economy, culture, arts, society and history to become Cultural identity, ideology, space for power competition From 1895 the world’s first biennale - the Venice Biennale, there are already more than 300 Biennials worldwide. From the 1990s to the beginning of the 21st century, with the multi-dimensional development of political culture, the rise of Asia’s economy, the opening of artistic ecology, and the gradual advancement of Asian culture to the forefront of the world, the status quo and the future of Asia have increasingly become the focus of attention of all countries in the world. Asian art not only serves as an important symbol of Asia’s problems and awareness, but also becomes a focus of globalization