女子书架焦波，《人民日报·海外版》摄影记者。自１９７７年始，他利用每次回鲁中山区老家省亲的机会，给自己一辈子做着本分农民的父母拍照；二十几载过去后的去年，焦波在北京以《俺爹俺娘》为题办了一次影展──那些既记录了他爹他娘日常起居、接入待物、喜怒哀乐，也记录 Women’s bookshelf Jiao Bo, “People’s Daily · Overseas edition” photojournalist. Since 1977, he has taken every opportunity to return his hometown relatives in Zhongshan to take pictures of his own peasants and their parents. Twenty years after his death, Jiao Bo took the title of “my father, my mother” in Beijing Did a film festival ─ ─ those who not only recorded his father his mother live daily, access to objects, emotions, but also record