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从《北京人在纽约》初次执导电视剧,再到如今《金婚》《甄嬛传》《红高粱》《芈月传》等的现象级创作,郑晓龙为中国电视荧屏留下太多经典的集体记忆。《广电时评》独家对话导演郑晓龙,看“现实主义”如何成为他不变的创作追求。因为操刀了《甄嬛传》和《芈月传》,郑晓龙这个在电视剧行业里响当当的名字,被更多“业外人”所熟知。很多人误以为他最擅制古装剧,殊不知郑晓龙早在90年代就已覆盖多种类
From “Beijingers in New York,” the first directed drama, and now the “Golden Marriage” “Zhen Huan Chuan” “Red Sorghum”, “Han Yue Biography” and other phenomenal creation, Zheng Xiaolong for the Chinese television screen left too much classic collective memory. Zheng Xiaolong, director of exclusive radio and television interview of “Broadcasting and TV”, see how “Realism” becomes his constant pursuit of creation. Because of the manipulation of “Zhen Huan Chuan” and “Han Yue Biography”, Zheng Xiaolong the name of the ring in the television industry, more “outsiders ” are well known. Many people mistakenly think he is the best at making costumes. As everyone knows, Zheng Xiaolong covered many kinds of people as early as the 1990s