北京人民艺术剧院演出的话剧《茶馆》(编剧:老舍;导演:焦菊隐、夏淳;设计:王文冲、关哉生、宋垠、钱斌),它的艺术成就值得全面总结。这里,仅就这个戏的舞台美术,谈谈我的一点学习体会。《茶馆》这个戏,共三幕,主要通过“裕泰”大茶馆在晚清、民初、解放前夕三个历史阶段的变化,揭示埋葬旧时代的主题思想。根据剧本的内容,布景必须展现出同一个环境——“裕泰”大茶馆处于三个不同历史时期的不同面貌。换句话说,剧本要求在三幕戏中出现的同一个 Beijing People’s Art Theater performances drama “Tea House” (screenwriter: Laoshe; director: Jiao Juyin, Xia Chun; design: Wang Wenchong, Guan Zaisheng, Song Yin, Qian Bin), its artistic achievements deserve a comprehensive summary. Here, just the stage art of this drama, to talk about my little learning experience. The drama “Teahouse” consists of three scenes, revealing the theme of the old era of burial mainly through the changes of the three major historical stages of the “Yu Tai” teahouse in the late Qing Dynasty, the early Republican era and the eve of liberation. According to the contents of the script, the setting must show the same environment - “Yu Tai” tea house in three different historical periods of different faces. In other words, the script calls for the same one to appear in three acts