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″南北宗说″是明代董其昌提出来的关于中国古代山水画风格的观点,从画面的意蕴形式出发,他极为推祟南宗的绘画风格而贬低北宗艺术,这种思想对后世文人画风影响极深,其思想渊源与中国的哲学思想,文人画的发展及其历史时代背景有着密不可分的联系。
“North and South ZongShi” is a view of Dong Qichang in the Ming Dynasty about the style of ancient Chinese landscape painting. Starting from the connotation of the painting, he greatly promoted the style of Nanzong’s painting and belittled the Northern Zong art, which had an impact on later literati style Extremely deep, and its ideological origins are inextricably linked with the development of Chinese philosophical thought and literati painting and its historical background.