传土造人艺术的创始者，在东方归诸娲皇，在西方归诸上帝，我们认为：出现在史前的传说是初民缘于生活所萌发的想象真实。即使是想象所附会的真实，作为后人，也乐意给予尊重。 中国大地之予于庆成的传土艺术，满蕴东方色彩，颇具历史穿透力和感染力。 抟土艺术不同于一般意义下的雕塑，它以“塑”为突出的表现手段。“塑”追求自在，它与刻意求工的“雕”异趋。我们说于庆成“上承娲皇”，正是在这一意义上提出来的。 于庆成的艺术，具有粗犷、原始、率真、朴拙的品质，面对当前商品社会中的软媚造作之风，他的艺术语言将会帮助我们面对生活——包括中国人民曾经经历过的苦难生活。——文怀沙 The originator of the art of earthworking and man-made originals, which belonged to the emperor in the east and to God in the west, we think the legend that appeared in prehistoric life was the imaginary realities that originated in life because of the early people. Even if the imagination is attached to the truth, as a descendant, but also happy to give respect. The art of earthwork given to Ching Cheng in the vast land of China is full of oriental color and has historical penetrating power and contagious power. Earth art is different from the sculpture in the general sense, it “plastic” as a prominent means of expression. “Plastic” pursuit of ease, it and deliberately seeking “carving” different trends. It is in this sense that we say that Yu Ching-cheng “inherited the emperor.” Yu Qing-cheng’s art, with its rugged, original, candid and simple quality, is in the face of the flattering style of the current commodity society. His artistic language will help us face life - including the Chinese people who have experienced Suffering life. - Wen Huai Sha